Hi there, friend! 

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Some things make more sense when you don’t look at them directly. I’ve never been great at artist statements, but here’s something close.

I work in fragments. Not because I can't finish things, but because fragments feel more honest — like how memory works, or dreams you half-remember in the morning. Most of what I make starts with a mistake: a synth patch I can't quite control, a rhythm that won't line up, a sound that shouldn't be there but insists on staying. I follow those moments until they become something I don’t entirely recognize, but still somehow believe in.

People call it experimental electronic, IDM, whatever. I don’t mind. For me, it’s less about genre and more about building places — temporary ones, mostly — where something human can flicker through the static. Where absence feels as meaningful as presence. I’m not trying to be precise. I’m trying to be real in a language that isn’t always verbal.

Thanks for listening, if you are. The work is out there now. I’m still figuring out the rest.